Sonic Grace

Claudia Chan
Fiori Di Fiori by Francesco Filidei

13.01.23

I have always been interested in contemporary music. This is what brought me to Germany, specifically to Cologne, where I've been based since 2011. When I arrived, I was astounded by the wealth of concerts featuring contemporary music, from small ensembles in ateliers, large ensembles in abandoned warehouses, all the way to the big symphony concerts in the Philharmonie. I was all ears, and incredibly excited by the diversity of contemporary music I heard around me. In one of these early concerts I attended, put on by the Westdeutscher Rundfunk (WDR) Sinfonieorchester, I encountered a composer that I'd never heard of before, a young Italian composer named Francesco Filidei, and a piece that burned a hole in my musical consciousness - "Fiori di fiori" - for years afterwards (I remember downloading the recording of it on my very first smartphone, listening to it everywhere I went and insisting on showing anyone who had approximately 17 minutes to spare). This is one in Filidei's cycle of orchestral works in which he simulates the sound of a church organ - this particular one is from Rome. The listener is immersed fully in this sound painting, where he not only reproduces the organ, but also the acoustics it is in, including the background noises - from bellows and stop pulls, to the music which is played there - in this case, fragments of Frescobaldi. Yet sometimes, in between these quite literal imitations of sounds, there are moments of spontaneous musical ecstasy that burst through and rupture the delicate and barely tenable musical fabric he's weaved, leaving the listener breathless. Filidei's airy orchestration and whimsical touch in form was completely new and mind opening for me.

A few years later, after a recital I gave as the Artist-in-Residence at Royaumont in France, I was stunned when Filidei himself came to congratulate me (he was giving a recital as organist at the same festival), and couldn't help but mention what an effect this piece had had on me in my first years in Europe. And now, my encounter with this piece has come full circle: in 2019, I made my debut with the same WDR Sinfonieorchester at the closing concert of the Wittener Tage für neue Musik, premiering a piano concerto by composer Lisa Streich, who was also highly influenced by Filidei's soundworld. And in 2023, I will be recording a number of Filidei's never-before-heard early piano pieces, which I've just received from the composer, as part of a CD of Italian contemporary music for piano with B Records.

- Claudia Chan

Fiori Di Fiori by Francesco Filidei

Claudia Chan Bio

Hailed as the new "Ambassador for New Music" (The Ottawa Citizen) and proclaimed “dazzling” (Classicagenda) and “brilliant” (Piano News), pianist Claudia Chan is known as one of the foremost young interpreters of contemporary music and has been praised for a “piano playing that moves seemingly effortlessly between often hair-raising (but never self-indulgent) virtuosity and sublime sound development” (Fono Forum). Her thoughtful interpretations of music from Brahms to Boulez and beyond have been heard in major concert halls in Canada, the US, Italy, France, Germany, Austria, and South Korea, as well as on the Canadian Broadcasting Corporation, Radio France, and all major German radio stations. From 2017-2020, Claudia was Artist-in-Residence of the contemporary music department at the famed Fondation Royaumont in France, where she organized and presented concerts, interdisciplinary projects, and gave a series of lecture-recitals on contemporary piano music. For her work, she has been featured in an episode of CBC's Next! as one of 8 up-and-coming young musicians from Canada, been profiled by the Huffington Post, and awarded grants from the Canada Council for the Arts, Ontario Arts Council, Deutscher Akademischer Austauschdienst, Deutscher Musikrat, and the Dörken Stiftung. Since relocating to Germany, she has been heard as soloist and chamber musician at the Wittener Tage für neue Kammermusik, Acht Brücken Festival (Cologne), Tongyeong International Music Festival (South Korea), the MATA Festival (New York City), the Klangspuren Schwaz Festival, the Festival Musica Strasbourg, the 21C Festival (Toronto), the Ottawa International Chamber Music Festival, the New Creations Festival (Toronto), the Sommerliche Musiktage Hitzacker, and PianoCity Milan and founded the award-winning new music quartet BRuCH, who have been invited to play at major festivals and profiled by the Westdeutscher Rundfunk and Deutschlandfunk. She has given masterclasses and workshops at conservatories and universities across Canada, the United States, France, and Germany. Claudia has worked closely with such composers as Helmut Lachenmann, Rebecca Saunders, Georg Friedrich Haas, Philippe Leroux, Hans Thomalla, Unsuk Chin, Johannes Schöllhorn, Oliver Schneller, Vassos Nicolaou, Brian Current, and Alice Ho, and been the dedicatee of works by many young, exciting composers. Also active as a conductor, Claudia was appointed musical director of the premiere of a new chamber opera from Georg Friedrich Haas at the Konzert Theater Bern in Switzerland in 2022. She completed her undergraduate studies at The Glenn Gould School of The Royal Conservatory, studying with David Louie and John Perry, her Master’s of Music at the Hochschule für Musik und Tanz Köln with Prof. Dr. Florence Millet, graduated with highest honours from the Master's of New Piano Music in the class of Prof. Pierre-Laurent Aimard, after which she obtained a Konzertexamen with Distinction in contemporary chamber music with BRuCH, under the direction of Prof. Barbara Maurer, as the ensemble-in-residence at the Folkwang Universität der Künste in Essen. In fall 2018, Claudia joined the piano faculty of the Hochschule für Musik und Tanz Köln. Her debut solo CD, “Thoughts about the Piano”, featuring music by Elliott Carter, Iannis Xenakis, Philippe Leroux and pieces commissioned for her by Annie Hui-Hsin Hsieh, Matthew Chamberlain and Mael Bailly, was released on B Records (France) in March 2021 to much acclaim, being named CD of the week by Radio France, and awarded 5 stars from Diapason, Classica, and Fono Forum shortly thereafter.

To learn more, visit Claudia's website here!