Sonic Grace

Patty Chan
Dreaming by the Plum Blossoms by Wang Danhong

07.05.26

I was fortunate to be exposed to both Western classical and traditional Chinese music as a youth. While I loved playing Bach, Chopin, and Shostakovich, I also enjoyed being part of a Chinese orchestra, its music at the time mostly based on traditional folk songs and opera. I was immersed in Chinese orchestral music for many years - the music became an important part of me because it connected me with my heritage - yet I wished to discover something new. Being in Canada gave me limited access to contemporary Chinese music. It wasn’t until I traveled to Hong Kong in 2008 and Taiwan in 2010 that I found what I was searching for sonically: new compositions that explored the immense range of sounds using traditional instruments; works that infused new ideas with musical idioms and ornaments that originate from traditional practice. Dr. Chih-Sheng Chen, the Artistic Director and Founder of Little Giant Chinese Chamber Orchestra (Taiwan), introduced me to the world of contemporary Chinese music, and I am forever grateful.

Wang Danhong’s “Dreaming by the Plum Blossoms” is one of the many pieces that drew me to contemporary music. Written for a small ensemble, it is based on Tang Xianzu’s play, “Peony Pavilion”, a famous love story from the Ming Dynasty. Wang uses elements from Kunqu opera in her composition. For me, each time I listen to this work, I am surprised and enticed by little fragments of familiar music and phrases that appear throughout the piece. I began to explore more contemporary works for traditional Chinese ensembles and orchestras, drawn to the large variety of instrumental colours that also offered rich possibilities in composition. The programmatic tradition of most Chinese compositions also allows me to learn more about my culture through the stories, the poetry, and the different perspectives. I was excited to visit Asia often to attend concerts and discover more about this music. Over the years, it has become a passion of mine to introduce these instruments to Canadian composers and audiences, hopefully inspiring more new compositions and collaborations.

- Patty Chan

Patty Chan Bio

Patty Chan is a second-generation Chinese Canadian erhu musician, educator, composer, and author. She is the Concertmaster of the Toronto Chinese Orchestra, Co-founder of PhoeNX Ensemble with harpist Sanya Eng, and the Founder of the Centre for Music Innovations. As an erhu musician, Patty has collaborated and premiered new works with many ensembles and organizations, including New Music Concerts, Strings of St. John’s, Red Snow Collective, the Toronto Masque Theatre, and the Canadian Children’s Opera Company. Her composition, Redemption: The Chan Kol Nidre (2015) for erhu and viola da gamba has been added to the archives at the Beit Hatfutsot in Tel Aviv, a museum for the Jewish people.

Patty has taught erhu and Chinese music at York, Toronto Metropolitan, and Carleton universities. She teaches erhu locally and internationally through the Centre for Music Innovations. She has written several books about the erhu that have sold in over 30 countries, and a children’s storybook about Chinese instruments with narration in three languages and music recording. She has begun to explore filmmaking: her award-winning documentary, Finding Belonging (2022), details the history and legacy of Toronto’s first Chinese orchestra. Patty completed her MA in ethnomusicology at York University, with a focus on Chinese orchestras in the diaspora, and creating cultural connections through music.